And the crippled Smith brought all his art to bear
on a dancing circle, broad as the circle Daedalus
once laid out on Cnossos’ spacious fields
for Ariadne the girl with lustrous hair.
Here young boys and girls, beauties courted
with costly gifts of oxen, danced and danced,
linking their arms, gripping each other’s wrists.
And the girls wore robes of linen light and flowing,
the boys wore finespun tunics rubbed with a gloss of oil,
the girls were crowned with a bloom of fresh garlands.
the boys swung golden daggers hung on silver belts.
And now they would run in rings on their skilled feet,
nimbly, quick as a crouching potter spins his wheel,
palming it smoothly, giving it practice twirls
to see it run, and now they would run in rows,
in rows crisscrossing rows – rapturous dancing.
A breathless crowd stood round them struck with joy
and through them a pair of tumblers dashed and sprang,
whirling in leaping handsprings, leading on the dance.
And he forged the Ocean River’s mighty power girdling
round the outmost rim of the welded indestructible shield.

– Homer

The Iliad, Book 18, lines 689-709. The divine smith Hephaestus forges on his shield for Achilles a dancing circle where young boys and girls dance together and court. The images crafted on this portion of the shield are a beautiful, exquisitely detailed, extended metaphor that depicts a scene of youthful joy and festivity. Homer also uses an epic simile comparing the nimbleness of the young dancers to a potter spinning his wheel.