Well, first I studied piano. I wasn’t very satisfied because I though my teachers were dumb… and repressive. – Luc Ferrari
I probably went to musique concrete concerts – though not the very first ones – at the beginning of the 50s. – Luc Ferrari
When the Domaine Musical started up, I wasn’t part of it. They were the major players in contemporary music at that time, braodcasting old and new composers’ work. And I wasn’t one of them. – Luc Ferrari
My sisters were going out with artists and poets, and eventually it was the creative world which attracted me. – Luc Ferrari
I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me – Cecil Taylor is an amazing character… Both his music and the way he approaches the instrument are astonishing. – Luc Ferrari
So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own. – Luc Ferrari
Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology. – Luc Ferrari
With the piano I’m completely in control of the gestural situation-not that I’m going to play the piece myself, but I know what’s difficult, what’s impossible. – Luc Ferrari
I wanted to play piano, and that slid quickly into writing – it wasn’t enough to play other people’s notes: I had to write notes too. – Luc Ferrari
I was born in Paris, and I haven’t moved, except until now – I live in the suburbs and I hate it. – Luc Ferrari
Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn’t be serially calibrated because they were too complex in character. – Luc Ferrari