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I’m an actor’s director.
– Fred Durst
When you reminisce aren’t the times that someone’s forcing you to reminisce. You reminisce other times in your life.
I’ve been around golf my whole life. My father did it all the time, and I resented him for it. But a couple years ago I picked up a golf club and I understood the physics of it. If anyone knows anything about golf, it’s that once you hit a few shots, you’ll become addicted.
When you’re a kid, you see your parents reading the newspaper and you’re like, ‘God, why are they reading the newspaper?’ When you’re young, you’re not reading the newspaper. But there comes a time in your life when the newspaper’s cool.
When I look back on my knee-jerk reactions now, I realize I should have just taken a breath.
I love jazz music and sad music. I’m a sentimental guy. I’m a romantic guy.
I’m obsessed by film. I’m obsessed with music and producing and making things happen.
There’s some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?
To walk around with an ego is a bad thing. To have confidence in yourself is a great thing.
It’s not about how much movement you do, how much interaction there is, it just reeks of credibility if it’s real. If it’s contrived, it seems to work for a while for the people who can’t filter out the real and unreal.
I stopped predicting the future a long time ago.
Sometimes it’s about less is more. It’s about the seed. Thinking about this gigantic tree that you think is so beautiful but it started with this just seed.
Our music has always been instant reactive and I guess taking our time to absorb things and say what you really want to say could be much more offensive than anything we’ve ever done.
I made a lot mistakes that I’m grateful for, because I won’t make them again and I won’t let my artists make them, or I’ll tell them, ‘Don’t do this.’ A lot of them still make them anyway, but you can’t be told things when you’re doing your own thing.
I’m a sentimental guy.
I usually find several ways to express myself: different moods, different days, different voices, different things, ‘I’m lighthearted today, I’m gonna do this.’
I’m in touch with the social networks and stuff.
Sometimes you feel like it’s cursed when something takes so long to come out and you don’t know if it’s going to really come out.
If you wanna know how not secure you are, just take a look around. Nothing’s secure. Nothing’s safe. I don’t hate technology, I don’t hate hackers, because that’s just what comes with it, without those hackers we wouldn’t solve the problems we need to solve, especially security.
I think they’d rather us follow our hearts and I hope that’s what some people will understand.
I loved the Cure and Bauhaus and the Smiths. The people in my town weren’t privy to that kind of music and I got abused. I discovered the microphone to get out some of that angst.
I’m a sensitive guy; I respond to things that make my eyes well up a little bit, or make me root for people. I find the human condition interesting.
I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell – like I do – is definitely protecting an inner sensitivity.
Prague is a dark place.
I love finding EPs for bands that you just discover.
I’m definitely on the incline to a peak.
There’s an insecure part of me that comes out of me, I get nervous. I don’t know why, I wish I could overcome it because it gives me an anxiety feeling.
You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.
I’m 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.
I’m my own salesman. I can’t let anybody do anything for me.